Lembas Bread (Lord of the Rings “authentic” Elvish bread)
2 ½ cups of flour (I used bread flour but you can use all purpous flour too)
1 tablespoon of baking powder
¼ teaspoon of salt
½ cup of butter
1/3 cup of brown sugar
1 teaspoon of cinnamon
½ teaspoon honey
2/3 cup of heavy whipping cream
½ teaspoon of vanilla
Preheat oven to 425°F. Mix the flour, baking powder and salt into a large bowl. Add the butter and mix well till fine granules (easiest way is with an electric mixer). Then add the sugar and cinnamon, and mix them thoroughly.
Finally add the cream, honey, and vanilla and stir until a nice, thick dough forms.
Roll the dough out about 1/2 in thickness. Cut out 3-inch squares and transfer the dough to a cookie sheet.Criss-cross each square from corner-to-corner with a knife, lightly (not cutting through the dough).
Bake for about 12 minutes or more (depending on the thickness of the bread) until it is set and lightly golden.
***Let cool completely before eating, this bread tastes better room temperature and dry. Also for more flavor you can add more cinnamon or other spices***
REPTAR BARS!!! Recipe under the cut.
Reptar bar! Reptar bar! The candy bar supreme!! The candy bar that turns your tongue greeeen!!
If there’s one thing that most fans of Star Trek will agree on, it’s the fact that Gene Roddenberry’s vision for the show — and, more optimistically, for human society — was predicated on the idea that all life is valuable, and that the worth of a person should not be judged by their appearance. Much of this was done through the old sci-fi trope of using aliens to stand in for oppressed groups, but Star Trek didn’t rely on the metaphor; it had characters who were part of the ensemble, important and beloved members of the Enterprise crew, who were people of colour. It had background characters who were people of colour. And, here and there, it had anti-heroes and villains who were people of colour … one of whom, Khan Noonian Singh, became well-nigh iconic.
Image 1: “Who is your favorite villain?” ; Actor John Cho (Lt Sulu) answers.
Image 2: TOS Khan looking at a watercolor of himself. Yes, he’s wearing a dastar (Sikh turban)
Image 3: Cumberbatch and Montalbán (as Khan)
And who is now being played by white actor Benedict Cumberbatch in the new JJ Abrams reboot movie, Star Trek: Into Darkness.
We’re all cynical and jaded enough to know the standard dismissal when it comes to matters of media representation: Paramount Pictures and most film studios are not interested in diversity or visibility, they only care about the bottom dollar. Star Trek as a franchise is too much of a juggernaut to affect with boycotts. There are too many people who love it, who love those characters and that world, and will go to see the movie. And for some of these people, this devotion to the idea of a future where even South and East Asian men get to pilot a starship and love swashbuckling, where Black women make Lieutenant on the Enterprise and actually get the boy, will be trivialized and eroded and whitewashed when the most formidable and complex Star Trek baddie becomes a white man named Khan.
It wasn’t perfect in the 60s when Ricardo Montalbán was cast to play Khan (a character explicitly described in the episode script of Space Seed as being Sikh, from the Northern regions of India). But considering all of the barriers to representation that Roddenberry faced from the television networks, having a brown-skinned man play a brown character was a hard-won victory. It’s disappointing and demoralizing that with the commercial power of Star Trek in his hands, JJ Abrams chose not to honour the original spirit of the show, or the symbolic heft of the Khan character, but to wield the whitewash brush for … what? The hopes that casting Benedict Cumberbatch would draw in a few more box office returns? It’s doubly disappointing when you consider that Abrams was a creator of the television show Lost, which had so many well-rounded and beloved characters of colour in it.
Add to this the secrecy prior to release around Cumberbatch’s role in the film, and what seems like a casting move that would typically be defended by cries of “best actor for the job, not racism” becomes something more cunning, more malicious. Yes, the obfuscation creates intrigue around and interest in the role, but it also prevents advocacy groups like Racebending.com from building campaigns to protest the whitewashing. This happened with the character of the Mandarin in Iron Man 3, as well as ‘Miranda Tate’ in The Dark Knight Rises, who ended up being Talia al Ghul but played by French actress Marion Cotillard. This practice is well in effect in Hollywood; and after the negative press that was generated by angry anti-oppression activists and fans when Paramount had The Last Airbender in the works, studios are wising up. They don’t want their racist practices to be called out, pointed at, and exposed before their movies are released — Airbender proved that these protests create enough bad feeling to affect their bottom line.
So the studio has now found a way to keep it secret and underhanded. Racebending.com was there for most of the production of The Last Airbender, and were even able to correspond with Paramount Pictures about it. This time, for Star Trek: Into Darkness, their hiding and opaque practices has managed to silence media watchdogs until the movie’s premiere.
As I said, this racist whitewashing of the character of Khan won’t affect how much money this Trek movie makes. And I’m happy that the franchise is popular, still popular enough to warrant not only a big-budget reboot with fantastic actors but also a sequel with that cast. I’m happy that actors I enjoy like Zoë Saldaña and John Cho are playing characters who mean so much to me, and that they, in respect for the groundbreaking contributions by Nichelle Nichols and George Takei in these roles, have paid homage to that past.
But all of that will be marred by having my own skin edited out, rendered worthless and silent and invisible when a South Asian man is portrayed by Benedict Cumberbatch up on that screen. In the original Trek, Khan, with his brown skin, was an Übermensch, intellectually and physically perfect, possessed of such charisma and drive that despite his efforts to gain control of the Enterprise, Captain Kirk (and many of the other officers) felt admiration for him.
And that’s why the role has been taken away from actors of colour and given to a white man. Racebending.com has always pointed out that villains are generally played by people with darker skin, and that’s true … unless the villain is one with intelligence, depth, complexity. One who garners sympathy from the audience, or if not sympathy, then — as from Kirk — grudging admiration. What this new Trek movie tells us, what JJ Abrams is telling us, is that no brown-skinned man can accomplish all that. That only by having Khan played by a white actor can the audience engage with and feel for him, believe that he’s smart and capable and a match for our Enterprise crew.
What an enormous and horribly ironic step backwards. For Star Trek, for media representation, and for the vision of a future where we have transcended systemic, racist erasure.
WOW I AM ESPECIALLY IMPRESSED WITH THE MR. FREEZE EYES
You know how it is, right, ladies? You know a guy for a while. You hang out with him. You do fun things with him—play video games, watch movies, go hiking, go to concerts. You invite him to your parties. You listen to his problems. You do all this because you think he wants to be your friend.
But then, then comes the fateful moment where you find out that all this time, he’s only seen you as a potential girlfriend. And then if you turn him down, he may never speak to you again. This has happened to me time after time: I hit it off with a guy, and, for all that I’ve been burned in the past, I start to think that this one might actually care about me as a person. And then he asks me on a date.
I tell him how much I enjoy his company, how much I value his friendship. I tell him that I really want to be his friend and to continue hanging out with him and talking about our favorite books or exploring new restaurants or making fun of avant-garde theatre productions. But he rejects me. He doesn’t answer my calls or e-mails; if we’d been making plans to do something before this fateful incident, these plans mysteriously fail to materialize. (This is why I never did get around to seeing the Hunger Games movie. Not to name any names, but thanks a lot, Tom.) Later, when I run into him at social events, our conversations are awkward and lukewarm. This is because the moment we met, he put me in the girlfriend-zone, and now he can’t see me as friend material.
I must say that I find this really unfair. I mean, I’m a nice girl. I have a lot to offer as a friend, like not being a douchebag and stuff. But males just don’t want to be friends with nice girls like me. They can’t help it, I guess; it’s just how they’re wired, biologically. Evolution conditioned our male hominid ancestors to seek nice girls as mates and form friendship bonds only with the other dudes that they hunted mammoths with. It’s true—I know this because I studied hominids in my fifth-grade science class.
So what’s the answer? Should I take up mammoth-hunting in an attempt to appeal to the friendship centers of men’s primal lizardbrains? Should I keep making guy “friends” and then prevent them from making a move on me by subtly undermining their self-confidence? Should I just give up on those manipulative, game-playing, two-faced bastards once and for all? I don’t know. I mean, I’d really like to have a true friendship with a guy someday, but it’s so hard to trust and respect them when they never say what they mean—and you never know when you might be relegated to the girlfriend-zone.